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Media aralashmasi: Brokkoli yaxshiroq; Ben va Jerrining yordami Uoll -stritni egallash; va Jo Jonasning sevimli oshpazlari

Media aralashmasi: Brokkoli yaxshiroq; Ben va Jerrining yordami Uoll -stritni egallash; va Jo Jonasning sevimli oshpazlari


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Daily Bayt sizga barcha oziq -ovqat yangiliklarini o'qishga mos keladi.

Bahslashmang va brokkolini iste'mol qiling: Tadqiqotchilar, brokkolini to'liq iste'mol qilish qo'shimcha tabletkalarni ichishdan ko'ra to'yimli ekanligini aniqladilar. [Tuz]

Ammo, ehtimol, siz vitaminlardan voz kechishingiz mumkin: Bizga har kuni multivitaminlar ichishni o'rgatishgan bo'lsa -da, yangi tadqiqotlar shuni ko'rsatdiki, qo'shimchalar faqat sizga kerak bo'lganda foydali bo'lishi mumkin. Qo'shimcha qo'shimchalar olgan keksa ayollarda vitamin qabul qilmagan ayollarga qaraganda o'lim darajasi yuqori bo'lgan. [BBC]

To'rt va yigirma qora qushning ichiga qarang: Ovqatlanadigan Selbi Gowanus pirog do'koniga o'z kamera va audio yozgichini olib keladi. Pirog qobig'ining egalari: "Menimcha, bu qiyin va haykaltarosh. Bu faqat barcha kimyo to'g'ri ekanligiga ishonch hosil qilish emas. Bu yanada intuitiv ". [T jurnali]

Yong'oq moyining narxi oshadi: Birinchi qovoq, endi yeryong'oq. Yozgi hosil etishmasligi, yong'oq yog'ini ishlab chiqaruvchilar narxlarni ko'tarishga majbur bo'lishini anglatadi. PB va J -ni qisqartirish vaqti keldi. [WSJ]

Uoll -stritni egallash uchun muzqaymoq: Ijtimoiy bilimga ega bo'lgan Ben & Jerry's namoyishchilarni qo'llab -quvvatlab: "Biz Uoll -stritni bosib oling, tizimli o'zgarishlarni talab qilayotganini tushunamiz. Biz bu harakat chaqirig'ini qo'llab -quvvatlaymiz va millatimiz va demokratiyamizni qaytarib olish uchun siz bilan birga bo'lish sharafiga muyassar bo'lamiz ". Balki bu lazzat haqiqatga aylanadi. [Ben va Jerri]

Jo Jonas: Kid Star ovqatga aylandi: Endi bu Jonas akasi yakkaxon bo'lishni xohlasa, u o'z qiyofasini bejirim kostyumlar va shirin kechki ovqat bilan yangilaydi. Ko'rinib turibdiki, u oziq -ovqat blogini ochishni xohlaydi va Tim Lovning yirtqich ilonli takolari, Syuzan Feniger, Mario Batali va Ferran Adriani juda yaxshi ko'radi. "Agar menga juda yoqadigan oshpaz bo'lsa, men dahshatga tushaman, chunki menimcha, ularning iste'dodi men qilayotgan ishlardan juda farq qiladi", - deydi u. Voy, yulduzli yulduzlar. [Yuborish]

Daily Bayt - bu mamlakat bo'ylab oziq -ovqat haqidagi qiziqarli yangiliklar va tendentsiyalarni yoritishga bag'ishlangan muntazam ustun. Oldingi ustunlar uchun bu erni bosing.


Texnik va ijrochi

Yuqori malakali, perfektsionist virtuoz va kam malakali, lekin ixtirochi va o'ziga xos rassom o'rtasidagi farq. Bu san'at (odatda musiqa yoki teatr) yoki jismoniy qobiliyatni ijod bilan aralashtirishni talab qiladigan sport (masalan, raqs yoki konkida uchish) mavzusidagi hikoyalar uchun odatiy syujet.

Elis yura boshlaganidan beri balet darslarida o'qiydi. U har kuni o'zini eng yaxshisidan yaxshiroq qilishga undaydi. U har bir prodyuserning yulduzi va har bir o'qituvchining sovrindori. Ammo u o'z san'atiga qanchalik sodiq bo'lsa ham, u har doim ham shunday emas rohatlaning u U hech qanday ijtimoiy hayotga ega emas, chunki hamma uyga ketganidan keyin u studiyada bo'ladi. Uning muxlislari ko'p, lekin haqiqiy do'stlari kam. U hatto muvaffaqiyatga emas, balki xatolariga e'tibor qaratib, o'z iste'dodini past baholashi mumkin. Agar u haqiqatan ham omadsiz bo'lsa, unga hukmron sahna onasi yuklangan.

Betti bir yil oldin balet bilan shug'ullangan. U hech qachon erta kelmaydi va kech qolmaydi. U texnik takomillashtirishga unchalik qiziqmaydi, ba'zida u hatto o'z harakatlarini improvizatsiya qilib, ssenariydan voz kechadi. Shunga qaramay, u raqsga tushishni yaxshi ko'radi va buni ko'rsatadi. U dumiga yiqilsa ham, tomoshabinlarni tabassum bilan tark etadi. Uning studiyadan tashqarida hayoti bor, nima qilsa ham quvnoq oilasi va yuqumli tabassumi. Agar balet o'yin -kulgini to'xtatsa, u bu ishni to'xtatadi, lekin u raqsdan charchamasligini his qiladi.

Ikkisini sahnaga qo'ying va hakamlar Elisni afzal ko'rishadi, lekin tomoshabin Betti afzal ko'radi.

Tomoshabinlar Elisning mukammal shaklini ko'rmaydilar. Ular u ho'l dam olish kunlari kabi yuz bilan raqs tushayotganini ko'rishadi. Betti pratfallni g'alati raqs harakatiga aylantiradi, birinchi qatorda o'tirgan bolaga yuzini qaratadi va oxirgi harakatda kulib yuboradi. Elis sahna ortidan ko'zlarini yumayotgan bo'lishi mumkin, lekin u uyiga ketadi, nima uchun hamma bu bema'nilik uchun nima uchun xursand bo'lishdi? u xushmuomalalik bilan olqish oldi.

Ularning farqi shundaki, Elis standartlarga mos kelish uchun raqsga tushadi, yoki u o'zini qo'yadi, boshqalari uni kiyadi va Betti esa san'atning quvonchidan raqsga tushadi. Tomoshabinlar "mukammal spektakl" nima ekanligini sezmaydilar, lekin raqqosalar qachon zavqlanishlarini bilishadi. va hatto qilganlar qilmoq bilingki, qanday yaxshi shakl, o'ziga xoslik, badiiy talqin va oddiy oddiy kulgili va mdashni ko'rishni afzal ko'radi, chunki Elis ko'pincha qila olmaydi, chunki improvizatsiya, ixtiro va o'yin -kulgi ko'pincha "mukammallik" tuyg'usini xavf ostiga qo'yadi.

Odatda, bu ikkisi qandaydir tarzda bir -birini raqobatbardosh qiladi. Ular o'z hayotlari va ehtiroslarining ba'zi jihatlaridan unchalik farq qilmasligini bilishlari mumkin. Ba'zida do'stlik mag'lubiyatga uchraydi va qizlar bir -biridan o'rganadilar: Elis bo'shashishni o'rganadi va o'z san'atining quvonchini kashf qiladi, Betti esa Elisning fidoyiligi va amaliyotiga taqlid qiladi. Agar ular kelisha olmasalar, bu yomon oqibatlarga yoki buzilishlarga olib kelishi mumkin.

Qizil Oni, Blue Oni singlisi, bu erda texnik - ko'k oni (ajoyib, uslubiy, mantiqiy) va ijrochi qizil (baquvvat, instinktiv, hissiy). Shubhasiz, bu ikki arxetip ular ishtirok etayotgan vaziyatga qarab turlicha namoyon bo'lishi mumkin, masalan:

  • Aniq, an'anaviy harakatlardan foydalanadigan jang san'ati ustasi, raqsga tushadigan va noan'anaviy texnikani qo'llaydigan
  • San'at maktabida murakkablik bilan mashg'ul bo'lgan o'quvchilarga to'la sodda, quvnoq rasmlar rassomi
  • Plyonkali musiqani zerikarli deb biladigan va ularni o'z variantlari bilan jaz qilishni yoqtiradigan musiqachi, bir necha oylardan beri bu nota musiqasi bilan shug'ullangan guruh a'zosining hayratiga.

Odatda, hikoya g'ayratli texnik emas, balki g'ayratli ijrochining (ba'zida Sovg'aga ega, lekin har doim ham emas) foydasiga bo'ladi. Eng yaxshisi, trop o'zingizni zavqlanishingizni va eng yomoni noyob bo'lishingizni maqtaydi, bu texnik mahorat ijodiy bepushtlikni anglatadi.

Texnik o'z ishini bajarishda shubhasiz yaxshiroq, lekin ular Brilliantdan farqli o'laroq, tomosha qilishdan ko'ra zavqliroq yoki maqbul natijalarni oladigan Hard Work Hardle Works -dan biroz farq qiladi. harakatning bir qismi. Bunday holda, Hard Work Hardly Works, quvnoq bo'shashtiruvchiga ustunlik berib, shikastlanishga haqorat qo'shadi mahorat amalda shug'ullanadiganlarga qaraganda. Zaifga o'xshash, lekin mahoratli, shunga ko'ra, kuchli yoki iqtidorliroq raqibga qaraganda yaxshiroq o'qitilgan ijrochi bor, lekin boshqasidan farqli o'laroq, eng yaxshi tayyorgarlik ko'rgan kishi, odatda, aql va mahorat evaziga g'alaba qozonadi.

Ba'zida, Elis va Betti Kessi bilan kesishishi mumkin: ikkalasi ham texnik va ijrochi. Bunday holda, Kessining tarjimai holi "Istedodli, lekin o'qitilgan" (tug'ma iste'dod + mehnat) bilan bir xil bo'lishi mumkin.

Yovuz odam va raqib sport jamoasidan farqli o'laroq. Snobs Vs Slobs -ning shakli sifatida ham ko'rish mumkin, bunda tafsilotlarga tabiiy ravishda keladigan narsalarga ishonadigan ijrochilar uchun plyonka sifatida e'tibor berishadi. Harbiy yoki jangovar sharoitda, bu ikkilanish askar va jangchi bilan bir qatorda qarshi kurash falsafasiga asos bo'lishi mumkin.


Texnik va ijrochi

Yuqori malakali, perfektsionist virtuoz va kam malakali, lekin ixtirochi va o'ziga xos rassom o'rtasidagi farq. Bu san'at (odatda musiqa yoki teatr) yoki jismoniy qobiliyatni ijod bilan aralashtirishni talab qiladigan sport (masalan, raqs yoki konkida uchish) mavzusidagi hikoyalar uchun odatiy syujet.

Elis yura boshlaganidan beri balet darslarida o'qiydi. U har kuni o'zini eng yaxshisidan yaxshiroq qilishga undaydi. U har bir prodyuserning yulduzi va har bir o'qituvchining sovrindori. Ammo u o'z san'atiga qanchalik sodiq bo'lsa ham, u har doim ham shunday emas rohatlaning u U hech qanday ijtimoiy hayotga ega emas, chunki hamma uyga ketganidan keyin u studiyada bo'ladi. Uning muxlislari ko'p, lekin haqiqiy do'stlari kam. U hatto muvaffaqiyatga emas, balki xatolariga e'tibor qaratib, o'z iste'dodini past baholashi mumkin. Agar u haqiqatan ham omadsiz bo'lsa, unga hukmron sahna onasi yuklangan.

Betti bir yil oldin balet bilan shug'ullangan. U hech qachon erta kelmaydi va kech qolmaydi. U texnik takomillashtirishga unchalik qiziqmaydi, ba'zida u hatto o'z harakatlarini improvizatsiya qilib, ssenariydan voz kechadi. Shunga qaramay, u raqsga tushishni yaxshi ko'radi va buni ko'rsatadi. U dumiga yiqilsa ham, tomoshabinlarni tabassum bilan tark etadi. Uning studiyadan tashqarida hayoti bor, nima qilsa ham quvnoq oilasi va yuqumli tabassumi. Agar balet o'yin -kulgini to'xtatsa, u bu ishni to'xtatadi, lekin u raqsdan charchamasligini his qiladi.

Ikkisini sahnaga qo'ying va hakamlar Elisni afzal ko'rishadi, lekin tomoshabin Betti afzal ko'radi.

Tomoshabinlar Elisning mukammal shaklini ko'rmaydilar. Ular u ho'l dam olish kunlari kabi yuz bilan raqs tushayotganini ko'rishadi. Betti pratfallni g'alati raqs harakatiga aylantiradi, birinchi qatorda o'tirgan bolaga yuzini qaratadi va oxirgi harakatda kulib yuboradi. Elis sahna ortidan ko'zlarini yumayotgan bo'lishi mumkin, lekin u uyiga ketadi, nima uchun hamma bu bema'nilik uchun nima uchun xursand bo'lishdi? u xushmuomalalik bilan olqish oldi.

Ularning farqi shundaki, Elis standartlarga mos kelish uchun raqsga tushadi, yoki u o'zini qo'yadi, boshqalari uni kiyadi va Betti esa san'atning quvonchidan raqsga tushadi. Tomoshabinlar "mukammal spektakl" nima ekanligini sezmaydilar, lekin raqqosalar qachon zavqlanishlarini bilishadi. va hatto qilganlar qilmoq bilingki, qanday yaxshi shakl, o'ziga xoslik, badiiy talqin va oddiy oddiy kulgili va mdashni ko'rishni afzal ko'radi, chunki Elis ko'pincha qila olmaydi, chunki improvizatsiya, ixtiro va o'yin -kulgi ko'pincha "mukammallik" tuyg'usini xavf ostiga qo'yadi.

Odatda, bu ikkisi qandaydir tarzda bir -birini raqobatbardosh qiladi. Ular o'z hayotlari va ehtiroslarining ba'zi jihatlaridan unchalik farq qilmasligini bilishlari mumkin. Ba'zida do'stlik mag'lubiyatga uchraydi va qizlar bir -biridan o'rganadilar: Elis bo'shashishni o'rganadi va o'z san'atining quvonchini kashf qiladi, Betti esa Elisning fidoyiligi va amaliyotiga taqlid qiladi. Agar ular kelisha olmasalar, bu yomon oqibatlarga yoki buzilishlarga olib kelishi mumkin.

Qizil Oni, Blue Oni singlisi, bu erda texnik - ko'k oni (ajoyib, uslubiy, mantiqiy) va ijrochi qizil (baquvvat, instinktiv, hissiy). Shubhasiz, bu ikki arxetip ular ishtirok etayotgan vaziyatga qarab turlicha namoyon bo'lishi mumkin, masalan:

  • Aniq, an'anaviy harakatlardan foydalanadigan jang san'ati ustasi, raqsga tushadigan va noan'anaviy texnikani qo'llaydigan
  • San'at maktabida murakkablik bilan mashg'ul bo'lgan o'quvchilarga to'la sodda, quvnoq rasmlar rassomi
  • Plyonkali musiqani zerikarli deb biladigan va ularni o'z variantlari bilan jaz qilishni yoqtiradigan musiqachi, bir necha oylardan beri bu nota musiqasi bilan shug'ullangan guruh a'zosining hayratiga.

Odatda, hikoya g'ayratli texnik emas, balki g'ayratli ijrochining (ba'zida Sovg'aga ega, lekin har doim ham emas) foydasiga bo'ladi. Eng yaxshisi, trop o'zingizni zavqlanishingizni va eng yomoni noyob bo'lishingizni maqtaydi, bu texnik mahorat ijodiy bepushtlikni anglatadi.

Texnik o'z ishini bajarishda shubhasiz yaxshiroq, lekin ular Brilliantdan farqli o'laroq, tomosha qilishdan ko'ra zavqliroq yoki maqbul natijalarni oladigan Hard Work Hardle Works -dan biroz farq qiladi. harakatning bir qismi. Bunday holda, Hard Work Hardly Works, quvnoq bo'shashtiruvchiga ustunlik berib, shikastlanishga haqorat qo'shadi mahorat amalda shug'ullanadiganlarga qaraganda. Zaifga o'xshash, lekin mahoratli, shunga ko'ra, kuchli yoki iqtidorliroq raqibga qaraganda yaxshiroq o'qitilgan ijrochi bor, lekin boshqasidan farqli o'laroq, eng yaxshi tayyorgarlik ko'rgan kishi, odatda, aql va mahorat evaziga g'alaba qozonadi.

Ba'zida, Elis va Betti Kessi bilan kesishishi mumkin: ikkalasi ham texnik va ijrochi. Bunday holda, Kessining tarjimai holi "Istedodli, lekin o'qitilgan" (tug'ma iste'dod + mehnat) bilan bir xil bo'lishi mumkin.

Yovuz odam va raqib sport jamoasidan farqli o'laroq. Snobs Vs Slobs -ning shakli sifatida ham ko'rish mumkin, bunda tafsilotlarga tabiiy ravishda keladigan narsalarga ishonadigan ijrochilar uchun plyonka sifatida e'tibor berishadi. Harbiy yoki jangovar sharoitda, bu ikkilanish askar va jangchi bilan bir qatorda qarshi kurash falsafasiga asos bo'lishi mumkin.


Texnik va ijrochi

Yuqori malakali, perfektsionist virtuoz va kam malakali, lekin ixtirochi va o'ziga xos rassom o'rtasidagi farq. Bu san'at (odatda musiqa yoki teatr) yoki jismoniy qobiliyatni ijod bilan aralashtirishni talab qiladigan sport (masalan, raqs yoki konkida uchish) mavzusidagi hikoyalar uchun odatiy syujet.

Elis yura boshlaganidan beri balet darslarida o'qiydi. U har kuni o'zini eng yaxshisidan yaxshiroq qilishga undaydi. U har bir prodyuserning yulduzi va har bir o'qituvchining sovrindori. Ammo u o'z san'atiga qanchalik sodiq bo'lsa ham, u har doim ham shunday emas rohatlaning u U hech qanday ijtimoiy hayotga ega emas, chunki hamma uyga ketganidan keyin u studiyada bo'ladi. Uning muxlislari ko'p, lekin haqiqiy do'stlari kam. U hatto muvaffaqiyatga emas, balki xatolariga e'tibor qaratib, o'z iste'dodini past baholashi mumkin. Agar u haqiqatan ham omadsiz bo'lsa, unga hukmron sahna onasi yuklangan.

Betti bir yil oldin balet bilan shug'ullangan. U hech qachon erta kelmaydi va kech qolmaydi. U texnik takomillashtirishga unchalik qiziqmaydi, ba'zida u hatto o'z harakatlarini improvizatsiya qilib, ssenariydan voz kechadi. Shunga qaramay, u raqsga tushishni yaxshi ko'radi va buni ko'rsatadi. U dumiga yiqilsa ham, tomoshabinlarni tabassum bilan tark etadi. Uning studiyadan tashqarida hayoti bor, nima qilsa ham quvnoq oilasi va yuqumli tabassumi. Agar balet o'yin -kulgini to'xtatsa, u bu ishni to'xtatadi, lekin u raqsdan charchamasligini his qiladi.

Ikkisini sahnaga qo'ying va hakamlar Elisni afzal ko'rishadi, lekin tomoshabin Betti afzal ko'radi.

Tomoshabinlar Elisning mukammal shaklini ko'rmaydilar. Ular u ho'l dam olish kunlari kabi yuz bilan raqs tushayotganini ko'rishadi. Betti pratfallni g'alati raqs harakatiga aylantiradi, birinchi qatorda o'tirgan bolaga yuzini qaratadi va oxirgi harakatda kulib yuboradi. Elis sahna ortidan ko'zlarini yumayotgan bo'lishi mumkin, lekin u uyiga ketadi, nima uchun hamma bu bema'nilik uchun nima uchun xursand bo'lishdi? u xushmuomalalik bilan olqish oldi.

Ularning farqi shundaki, Elis standartlarga mos kelish uchun raqsga tushadi, yoki u o'zini qo'yadi, boshqalari uni kiyadi va Betti esa san'atning quvonchidan raqsga tushadi. Tomoshabinlar "mukammal spektakl" nima ekanligini sezmaydilar, lekin raqqosalar qachon zavqlanishlarini bilishadi. va hatto qilganlar qilmoq bilingki, qanday yaxshi shakl, o'ziga xoslik, badiiy talqin va oddiy oddiy kulgili va mdashni ko'rishni afzal ko'radi, chunki Elis ko'pincha qila olmaydi, chunki improvizatsiya, ixtiro va o'yin -kulgi ko'pincha "mukammallik" tuyg'usini xavf ostiga qo'yadi.

Odatda, bu ikkisi qandaydir tarzda bir -birini raqobatbardosh qiladi. Ular o'z hayotlari va ehtiroslarining ba'zi jihatlaridan unchalik farq qilmasligini bilishlari mumkin. Ba'zida do'stlik mag'lubiyatga uchraydi va qizlar bir -biridan o'rganadilar: Elis bo'shashishni o'rganadi va o'z san'atining quvonchini kashf qiladi, Betti esa Elisning fidoyiligi va amaliyotiga taqlid qiladi. Agar ular kelisha olmasalar, bu yomon oqibatlarga yoki buzilishlarga olib kelishi mumkin.

Qizil Oni, Blue Oni singlisi, bu erda texnik - ko'k oni (ajoyib, uslubiy, mantiqiy) va ijrochi qizil (baquvvat, instinktiv, hissiy). Shubhasiz, bu ikki arxetip ular ishtirok etayotgan vaziyatga qarab turlicha namoyon bo'lishi mumkin, masalan:

  • Aniq, an'anaviy harakatlardan foydalanadigan jang san'ati ustasi, raqsga tushadigan va noan'anaviy texnikani qo'llaydigan
  • San'at maktabida murakkablik bilan mashg'ul bo'lgan o'quvchilarga to'la sodda, quvnoq rasmlar rassomi
  • Plyonkali musiqani zerikarli deb biladigan va ularni o'z variantlari bilan jaz qilishni yoqtiradigan musiqachi, bir necha oylardan beri bu nota musiqasi bilan shug'ullangan guruh a'zosining hayratiga.

Odatda, hikoya g'ayratli texnik emas, balki g'ayratli ijrochining (ba'zida Sovg'aga ega, lekin har doim ham emas) foydasiga bo'ladi. Eng yaxshisi, trop o'zingizni zavqlanishingizni va eng yomoni noyob bo'lishingizni maqtaydi, bu texnik mahorat ijodiy bepushtlikni anglatadi.

Texnik o'z ishini bajarishda shubhasiz yaxshiroq, lekin ular Brilliantdan farqli o'laroq, tomosha qilishdan ko'ra zavqliroq yoki maqbul natijalarni oladigan Hard Work Hardle Works -dan biroz farq qiladi. harakatning bir qismi. Bunday holda, Hard Work Hardly Works, quvnoq bo'shashtiruvchiga ustunlik berib, shikastlanishga haqorat qo'shadi mahorat amalda shug'ullanadiganlarga qaraganda. Zaifga o'xshash, lekin mahoratli, shunga ko'ra, kuchli yoki iqtidorliroq raqibga qaraganda yaxshiroq o'qitilgan ijrochi bor, lekin boshqasidan farqli o'laroq, eng yaxshi tayyorgarlik ko'rgan kishi, odatda, aql va mahorat evaziga g'alaba qozonadi.

Ba'zida, Elis va Betti Kessi bilan kesishishi mumkin: ikkalasi ham texnik va ijrochi. Bunday holda, Kessining tarjimai holi "Istedodli, lekin o'qitilgan" (tug'ma iste'dod + mehnat) bilan bir xil bo'lishi mumkin.

Yovuz odam va raqib sport jamoasidan farqli o'laroq. Snobs Vs Slobs -ning shakli sifatida ham ko'rish mumkin, bunda tafsilotlarga tabiiy ravishda keladigan narsalarga ishonadigan ijrochilar uchun plyonka sifatida e'tibor berishadi. Harbiy yoki jangovar sharoitda, bu ikkilanish askar va jangchi bilan bir qatorda qarshi kurash falsafasiga asos bo'lishi mumkin.


Texnik va ijrochi

Yuqori malakali, perfektsionist virtuoz va kam malakali, lekin ixtirochi va o'ziga xos rassom o'rtasidagi farq. Bu san'at (odatda musiqa yoki teatr) yoki jismoniy qobiliyatni ijod bilan aralashtirishni talab qiladigan sport (masalan, raqs yoki konkida uchish) mavzusidagi hikoyalar uchun odatiy syujet.

Elis yura boshlaganidan beri balet darslarida o'qiydi. U har kuni o'zini eng yaxshisidan yaxshiroq qilishga undaydi. U har bir prodyuserning yulduzi va har bir o'qituvchining sovrindori. Ammo u o'z san'atiga qanchalik sodiq bo'lsa ham, u har doim ham shunday emas rohatlaning u U hech qanday ijtimoiy hayotga ega emas, chunki hamma uyga ketganidan keyin u studiyada bo'ladi. Uning muxlislari ko'p, lekin haqiqiy do'stlari kam. U hatto muvaffaqiyatga emas, balki xatolariga e'tibor qaratib, o'z iste'dodini past baholashi mumkin. Agar u haqiqatan ham omadsiz bo'lsa, unga hukmron sahna onasi yuklangan.

Betti bir yil oldin balet bilan shug'ullangan. U hech qachon erta kelmaydi va kech qolmaydi. U texnik takomillashtirishga unchalik qiziqmaydi, ba'zida u hatto o'z harakatlarini improvizatsiya qilib, ssenariydan voz kechadi. Shunga qaramay, u raqsga tushishni yaxshi ko'radi va buni ko'rsatadi. U dumiga yiqilsa ham, tomoshabinlarni tabassum bilan tark etadi. Uning studiyadan tashqarida hayoti bor, nima qilsa ham quvnoq oilasi va yuqumli tabassumi. Agar balet o'yin -kulgini to'xtatsa, u bu ishni to'xtatadi, lekin u raqsdan charchamasligini his qiladi.

Ikkisini sahnaga qo'ying va hakamlar Elisni afzal ko'rishadi, lekin tomoshabin Betti afzal ko'radi.

Tomoshabinlar Elisning mukammal shaklini ko'rmaydilar. Ular u ho'l dam olish kunlari kabi yuz bilan raqs tushayotganini ko'rishadi. Betti pratfallni g'alati raqs harakatiga aylantiradi, birinchi qatorda o'tirgan bolaga yuzini qaratadi va oxirgi harakatda kulib yuboradi. Elis sahna ortidan ko'zlarini yumayotgan bo'lishi mumkin, lekin u uyiga ketadi, nima uchun hamma bu bema'nilik uchun nima uchun xursand bo'lishdi? u xushmuomalalik bilan olqish oldi.

Ularning farqi shundaki, Elis standartlarga mos kelish uchun raqsga tushadi, yoki u o'zini qo'yadi, boshqalari uni kiyadi va Betti esa san'atning quvonchidan raqsga tushadi. Tomoshabinlar "mukammal spektakl" nima ekanligini sezmaydilar, lekin raqqosalar qachon zavqlanishlarini bilishadi. va hatto qilganlar qilmoq bilingki, qanday yaxshi shakl, o'ziga xoslik, badiiy talqin va oddiy oddiy kulgili va mdashni ko'rishni afzal ko'radi, chunki Elis ko'pincha qila olmaydi, chunki improvizatsiya, ixtiro va o'yin -kulgi ko'pincha "mukammallik" tuyg'usini xavf ostiga qo'yadi.

Odatda, bu ikkisi qandaydir tarzda bir -birini raqobatbardosh qiladi. Ular o'z hayotlari va ehtiroslarining ba'zi jihatlaridan unchalik farq qilmasligini bilishlari mumkin. Ba'zida do'stlik mag'lubiyatga uchraydi va qizlar bir -biridan o'rganadilar: Elis bo'shashishni o'rganadi va o'z san'atining quvonchini kashf etadi, Betti esa Elisning fidoyiligi va amaliyotiga taqlid qiladi. Agar ular kelisha olmasalar, bu yomon oqibatlarga yoki buzilishlarga olib kelishi mumkin.

Qizil Oni, Blue Oni singlisi, bu erda texnik - ko'k oni (ajoyib, uslubiy, mantiqiy) va ijrochi qizil (baquvvat, instinktiv, hissiy). Shubhasiz, bu ikki arxetip ular ishtirok etayotgan vaziyatga qarab turlicha namoyon bo'lishi mumkin, masalan:

  • Aniq, an'anaviy harakatlardan foydalanadigan jang san'ati ustasi, raqsga tushadigan va noan'anaviy texnikani qo'llaydigan
  • San'at maktabida murakkablik bilan mashg'ul bo'lgan o'quvchilarga to'la sodda, quvnoq rasmlar rassomi
  • Plyonkali musiqani zerikarli deb biladigan va ularni o'z variantlari bilan jaz qilishni yoqtiradigan musiqachi, bir necha oylardan beri bu nota musiqasi bilan shug'ullangan guruh a'zosining hayratiga.

Odatda, hikoya g'ayratli texnik emas, balki g'ayratli ijrochining (ba'zida Sovg'aga ega, lekin har doim ham emas) foydasiga bo'ladi. Eng yaxshisi, trop o'zingizni zavqlanishingizni va eng yomoni noyob bo'lishingizni maqtaydi, bu texnik mahorat ijodiy bepushtlikni anglatadi.

Texnik o'z ishini bajarishda shubhasiz yaxshiroq, lekin ular Brilliantdan farqli o'laroq, tomosha qilishdan ko'ra zavqliroq yoki maqbul natijalarni oladigan Hard Work Hardle Works -dan biroz farq qiladi. harakatning bir qismi. Bunday holda, Hard Work Hardly Works, quvnoq bo'shashtiruvchiga ustunlik berib, shikastlanishga haqorat qo'shadi mahorat amalda shug'ullanadiganlarga qaraganda. Zaifga o'xshash, lekin mahoratli, shunga ko'ra, kuchli yoki iqtidorliroq raqibga qaraganda yaxshiroq o'qitilgan ijrochi bor, lekin boshqasidan farqli o'laroq, eng yaxshi tayyorgarlik ko'rgan kishi, odatda, aql va mahorat evaziga g'alaba qozonadi.

Ba'zida, Elis va Betti Kessi bilan kesishishi mumkin: ikkalasi ham texnik va ijrochi. Bunday holda, Kessining tarjimai holi "Istedodli, lekin o'qitilgan" (tug'ma iste'dod + mehnat) bilan bir xil bo'lishi mumkin.

Yovuz odam va raqib sport jamoasidan farqli o'laroq. Snobs Vs Slobs -ning shakli sifatida ham ko'rish mumkin, bunda tafsilotlarga tabiiy ravishda keladigan narsalarga ishonadigan ijrochilar uchun plyonka sifatida e'tibor berishadi. Harbiy yoki jangovar sharoitda, bu ikkilanish askar va jangchi bilan bir qatorda qarshi kurash falsafasiga asos bo'lishi mumkin.


Texnik va ijrochi

Yuqori malakali, perfektsionist virtuoz va kam malakali, lekin ixtirochi va o'ziga xos rassom o'rtasidagi farq. Bu san'at (odatda musiqa yoki teatr) yoki jismoniy qobiliyatni ijod bilan aralashtirishni talab qiladigan sport (masalan, raqs yoki konkida uchish) mavzusidagi hikoyalar uchun odatiy syujet.

Elis yura boshlaganidan beri balet darslarida o'qiydi. U har kuni o'zini eng yaxshisidan yaxshiroq qilishga undaydi. U har bir prodyuserning yulduzi va har bir o'qituvchining sovrindori. Ammo u o'z san'atiga qanchalik sodiq bo'lsa ham, u har doim ham shunday emas rohatlaning u U hech qanday ijtimoiy hayotga ega emas, chunki hamma uyga ketganidan keyin u studiyada bo'ladi. Uning muxlislari ko'p, lekin haqiqiy do'stlari kam. U hatto muvaffaqiyatga emas, balki xatolariga e'tibor qaratib, o'z iste'dodini past baholashi mumkin. Agar u haqiqatan ham omadsiz bo'lsa, unga hukmron sahna onasi yuklangan.

Betti bir yil oldin balet bilan shug'ullangan. U hech qachon erta kelmaydi va kech qolmaydi. U texnik takomillashtirishga unchalik qiziqmaydi, ba'zida u hatto o'z harakatlarini improvizatsiya qilib, ssenariydan voz kechadi. Shunga qaramay, u raqsga tushishni yaxshi ko'radi va buni ko'rsatadi. U dumiga yiqilsa ham, tomoshabinlarni tabassum bilan tark etadi. Uning studiyadan tashqarida hayoti bor, nima qilsa ham quvnoq oilasi va yuqumli tabassumi. Agar balet o'yin -kulgini to'xtatsa, u bu ishni to'xtatadi, lekin u raqsdan charchamasligini his qiladi.

Ikkisini sahnaga qo'ying va hakamlar Elisni afzal ko'rishadi, lekin tomoshabin Betti afzal ko'radi.

Tomoshabinlar Elisning mukammal shaklini ko'rmaydilar. Ular u ho'l dam olish kunlari kabi yuz bilan raqs tushayotganini ko'rishadi. Betti pratfallni g'alati raqs harakatiga aylantiradi, birinchi qatorda o'tirgan bolaga yuzini qaratadi va oxirgi harakatda kulib yuboradi. Elis sahna ortidan ko'zlarini yumayotgan bo'lishi mumkin, lekin u uyiga ketadi, nima uchun hamma bu bema'nilik uchun nima uchun xursand bo'lishdi? u xushmuomalalik bilan olqish oldi.

Ularning farqi shundaki, Elis standartlarga mos kelish uchun raqsga tushadi, yoki u o'zini qo'yadi, boshqalari uni kiyadi va Betti esa san'atning quvonchidan raqsga tushadi. Tomoshabinlar "mukammal spektakl" nima ekanligini sezmaydilar, lekin raqqosalar qachon zavqlanishlarini bilishadi. va hatto qilganlar qilmoq bilingki, qanday yaxshi shakl, o'ziga xoslik, badiiy talqin va oddiy oddiy kulgili va mdashni ko'rishni afzal ko'radi, chunki Elis ko'pincha qila olmaydi, chunki improvizatsiya, ixtiro va o'yin -kulgi ko'pincha "mukammallik" tuyg'usini xavf ostiga qo'yadi.

Odatda, bu ikkisi qandaydir tarzda bir -birini raqobatbardosh qiladi. Ular o'z hayotlari va ehtiroslarining ba'zi jihatlaridan unchalik farq qilmasligini bilishlari mumkin. Ba'zida do'stlik mag'lubiyatga uchraydi va qizlar bir -biridan o'rganadilar: Elis bo'shashishni o'rganadi va o'z san'atining quvonchini kashf etadi, Betti esa Elisning fidoyiligi va amaliyotiga taqlid qiladi. Agar ular kelisha olmasalar, bu yomon oqibatlarga yoki buzilishlarga olib kelishi mumkin.

Qizil Oni, Blue Oni singlisi, bu erda texnik - ko'k oni (ajoyib, uslubiy, mantiqiy) va ijrochi qizil (baquvvat, instinktiv, hissiy). Shubhasiz, bu ikki arxetip ular ishtirok etayotgan vaziyatga qarab turlicha namoyon bo'lishi mumkin, masalan:

  • Aniq, an'anaviy harakatlardan foydalanadigan jang san'ati ustasi, raqsga tushadigan va noan'anaviy texnikani qo'llaydigan
  • San'at maktabida murakkablik bilan mashg'ul bo'lgan o'quvchilarga to'la sodda, quvnoq rasmlar rassomi
  • Plyonkali musiqani zerikarli deb biladigan va ularni o'z variantlari bilan jaz qilishni yoqtiradigan musiqachi, bir necha oylardan beri bu nota musiqasi bilan shug'ullangan guruh a'zosining hayratiga.

Odatda, hikoya g'ayratli texnik emas, balki g'ayratli ijrochining (ba'zida Sovg'aga ega, lekin har doim ham emas) foydasiga bo'ladi. Eng yaxshisi, trop o'zingizni zavqlanishingizni va eng yomoni noyob bo'lishingizni maqtaydi, bu texnik mahorat ijodiy bepushtlikni anglatadi.

Texnik o'z ishini bajarishda shubhasiz yaxshiroq, lekin ular Brilliantdan farqli o'laroq, tomosha qilishdan ko'ra zavqliroq yoki maqbul natijalarni oladigan Hard Work Hardle Works -dan biroz farq qiladi. harakatning bir qismi. Bunday holda, Hard Work Hardly Works, quvnoq bo'shashtiruvchiga ustunlik berib, shikastlanishga haqorat qo'shadi mahorat amalda shug'ullanadiganlarga qaraganda. Zaifga o'xshash, lekin mahoratli, shunga ko'ra, kuchli yoki iqtidorliroq raqibga qaraganda yaxshiroq o'qitilgan ijrochi bor, lekin boshqasidan farqli o'laroq, eng yaxshi tayyorgarlik ko'rgan kishi, odatda, aql va mahorat evaziga g'alaba qozonadi.

Ba'zida, Elis va Betti Kessi bilan kesishishi mumkin: ikkalasi ham texnik va ijrochi. Bunday holda, Kessining tarjimai holi "Istedodli, lekin o'qitilgan" (tug'ma iste'dod + mehnat) bilan bir xil bo'lishi mumkin.

Yovuz odam va raqib sport jamoasidan farqli o'laroq. Snobs Vs Slobs -ning shakli sifatida ham ko'rish mumkin, bunda tafsilotlarga tabiiy ravishda keladigan narsalarga ishonadigan ijrochilar uchun plyonka sifatida e'tibor berishadi. Harbiy yoki jangovar sharoitda, bu ikkilanish askar va jangchi bilan bir qatorda qarshi kurash falsafasiga asos bo'lishi mumkin.


Texnik va ijrochi

Yuqori malakali, perfektsionist virtuoz va kam malakali, lekin ixtirochi va o'ziga xos rassom o'rtasidagi farq. Bu san'at (odatda musiqa yoki teatr) yoki jismoniy qobiliyatni ijod bilan aralashtirishni talab qiladigan sport (masalan, raqs yoki konkida uchish) mavzusidagi hikoyalar uchun odatiy syujet.

Elis yura boshlaganidan beri balet darslarida o'qiydi. U har kuni o'zini eng yaxshisidan yaxshiroq qilishga undaydi. U har bir prodyuserning yulduzi va har bir o'qituvchining sovrindori. Ammo u o'z san'atiga qanchalik sodiq bo'lsa ham, u har doim ham shunday emas rohatlaning u U hech qanday ijtimoiy hayotga ega emas, chunki hamma uyga ketganidan keyin u studiyada bo'ladi. Uning muxlislari ko'p, lekin haqiqiy do'stlari kam. U hatto muvaffaqiyatga emas, balki xatolariga e'tibor qaratib, o'z iste'dodini past baholashi mumkin. Agar u haqiqatan ham omadsiz bo'lsa, unga hukmron sahna onasi yuklangan.

Betti bir yil oldin balet bilan shug'ullangan. U hech qachon erta kelmaydi va kech qolmaydi. U texnik takomillashtirishga unchalik qiziqmaydi, ba'zida u hatto o'z harakatlarini improvizatsiya qilib, ssenariydan voz kechadi. Shunga qaramay, u raqsga tushishni yaxshi ko'radi va buni ko'rsatadi. U dumiga yiqilsa ham, tomoshabinlarni tabassum bilan tark etadi. Uning studiyadan tashqarida hayoti bor, nima qilsa ham quvnoq oilasi va yuqumli tabassumi. Agar balet o'yin -kulgini to'xtatsa, u bu ishni to'xtatadi, lekin u raqsdan charchamasligini his qiladi.

Ikkisini sahnaga qo'ying va hakamlar Elisni afzal ko'rishadi, lekin tomoshabin Betti afzal ko'radi.

Tomoshabinlar Elisning mukammal shaklini ko'rmaydilar. Ular u ho'l dam olish kunlari kabi yuz bilan raqs tushayotganini ko'rishadi. Betti pratfallni g'alati raqs harakatiga aylantiradi, birinchi qatorda o'tirgan bolaga yuzini qaratadi va oxirgi harakatda kulib yuboradi. Elis sahna ortidan ko'zlarini yumayotgan bo'lishi mumkin, lekin u uyiga ketadi, nima uchun hamma bu bema'nilik uchun nima uchun xursand bo'lishdi? u xushmuomalalik bilan olqish oldi.

Ularning farqi shundaki, Elis standartlarga mos kelish uchun raqsga tushadi, yoki u o'zini qo'yadi, boshqalari uni kiyadi va Betti esa san'atning quvonchidan raqsga tushadi. Tomoshabinlar "mukammal spektakl" nima ekanligini sezmaydilar, lekin raqqosalar qachon zavqlanishlarini bilishadi. va hatto qilganlar qilmoq bilingki, qanday yaxshi shakl, o'ziga xoslik, badiiy talqin va oddiy oddiy kulgili va mdashni ko'rishni afzal ko'radi, chunki Elis ko'pincha qila olmaydi, chunki improvizatsiya, ixtiro va o'yin -kulgi ko'pincha "mukammallik" tuyg'usini xavf ostiga qo'yadi.

Odatda, bu ikkisi qandaydir tarzda bir -birini raqobatbardosh qiladi. They may find that they're Not So Different in certain aspects of their lives and passions. Sometimes, Defeat Means Friendship will take hold, and the girls will learn from each other: Alice will learn to loosen up and rediscover the joy of her art, and Betty will try and emulate Alice's dedication and practice. If they don't come to terms, it can lead to some nasty results or a breakdown.

A Sister Trope to Red Oni, Blue Oni, where the Technician is the blue oni (cool, methodical, logical) and the Performer is red (energetic, instinctive, emotional). Obviously, these two archetypes can manifest differently depending on the situation they're involved in, such as:

  • A martial artist who uses precise, traditional moves vs one who dances around and uses unorthodox techniques
  • A painter of simplistic, cheerful paintings in an art school full of students obsessed with complexity
  • A musician who finds sheet music boring and likes to jazz them up with their own variations, to the consternation of a band member who has been practicing with that sheet music for months

Generally, the narrative will be in favor of the enthusiastic performer (who sometimes has The Gift, but not always) rather than the diligent technician. At its best, the trope sings the praises of enjoying yourself and being unique at its worst, it implies that technical skill means Creative Sterility.

Differs slightly from (but is related to) Hard Work Hardly Works, where the technician is undeniably better at what they do, but they are contrasted with a Brilliant, but Lazy performer who is ultimately more fun to watch, or gets acceptable results with a fraction of the effort. In this case, Hard Work Hardly Works adds insult to injury by giving the cheerful slacker superior skill than those around them who actually practice. Also similar to Weak, but Skilled similar in that there is a better trained performer against a stronger or more talented rival, but different in that the one with the best training wins, usually through cleverness and skill.

At times, Alice and Betty may cross paths with Cassie: a character who is both technician va performer. In this case, Cassie's background may overlap with Talented, but Trained (innate talent + hard work).

Contrast the Villainy-Free Villain and Opposing Sports Team. Could also be seen as a form of Snobs Vs Slobs, with fastidious technicians who pay attention to detail as the foil for performers who believe in doing what comes naturally. In a military or combative setting, this dichotomy may form the basis for Opposing Combat Philosophies, along with Soldier vs. Warrior.


Technician vs. Performer

A contrast between a highly-skilled, perfectionist virtuoso and a less-skilled, but more inventive and original artist. This is a plot common to stories that focus on the arts (usually music or theater), or sports that require mixing physical ability with creativity (such as dancing or skating).

Alice has been in ballet classes since she could walk. She practices every day, pushing herself to always do better than her best. She's the star of every production and the prize pupil of every teacher. But as devoted as she is to her art, she doesn't always seem to enjoy it. She has no social life because she'll be at the studio long after everyone else has gone home. She has many admirers but few real friends. She may even downplay her own talent, focusing on her mistakes rather than her successes. If she's really unlucky, she's burdened with a domineering Stage Mom.

Betty started ballet a year ago. She never arrives early nor stays late. She doesn't have much interest in technical perfection, and sometimes she'll even improvise her own moves and go off script. Nevertheless she loves to dance, and it shows. Even if she lands flat on her tail, she leaves the audience smiling. She has a life outside the studio, a solid family who cheers no matter what she does, and an infectious grin. If ballet ever stops being fun, she'll just stop doing it, but one gets the sense that she'll never get tired of dancing.

Put the two on stage together and the judges will prefer Alice, but the audience will prefer Betty.

The audience doesn't see Alice's perfect form. They see that she dances with a face like a wet weekend. Betty turns a pratfall into a quirky dance move, makes faces at the kid in the front row, and laughs her way through the final act. Alice may be rolling her eyes from backstage, but she will go home wondering why the crowd cheered for that nonsense when all she got was polite applause.

The difference between them is that Alice dances to meet a standard &mdash either one she puts on herself or one others have put on her &mdash while Betty dances for the sheer joy of the art. The watching audience may not realize what a "perfect performance" is, but they know when the dancers are enjoying themselves. and even those who do know what good form is would rather see originality, artistic interpretation, and plain simple fun &mdash which Alice often can't do, because improvisation, invention, and fun often risk that sense of 'perfection'.

Typically, these two will spur each other competitively in some way. They may find that they're Not So Different in certain aspects of their lives and passions. Sometimes, Defeat Means Friendship will take hold, and the girls will learn from each other: Alice will learn to loosen up and rediscover the joy of her art, and Betty will try and emulate Alice's dedication and practice. If they don't come to terms, it can lead to some nasty results or a breakdown.

A Sister Trope to Red Oni, Blue Oni, where the Technician is the blue oni (cool, methodical, logical) and the Performer is red (energetic, instinctive, emotional). Obviously, these two archetypes can manifest differently depending on the situation they're involved in, such as:

  • A martial artist who uses precise, traditional moves vs one who dances around and uses unorthodox techniques
  • A painter of simplistic, cheerful paintings in an art school full of students obsessed with complexity
  • A musician who finds sheet music boring and likes to jazz them up with their own variations, to the consternation of a band member who has been practicing with that sheet music for months

Generally, the narrative will be in favor of the enthusiastic performer (who sometimes has The Gift, but not always) rather than the diligent technician. At its best, the trope sings the praises of enjoying yourself and being unique at its worst, it implies that technical skill means Creative Sterility.

Differs slightly from (but is related to) Hard Work Hardly Works, where the technician is undeniably better at what they do, but they are contrasted with a Brilliant, but Lazy performer who is ultimately more fun to watch, or gets acceptable results with a fraction of the effort. In this case, Hard Work Hardly Works adds insult to injury by giving the cheerful slacker superior skill than those around them who actually practice. Also similar to Weak, but Skilled similar in that there is a better trained performer against a stronger or more talented rival, but different in that the one with the best training wins, usually through cleverness and skill.

At times, Alice and Betty may cross paths with Cassie: a character who is both technician va performer. In this case, Cassie's background may overlap with Talented, but Trained (innate talent + hard work).

Contrast the Villainy-Free Villain and Opposing Sports Team. Could also be seen as a form of Snobs Vs Slobs, with fastidious technicians who pay attention to detail as the foil for performers who believe in doing what comes naturally. In a military or combative setting, this dichotomy may form the basis for Opposing Combat Philosophies, along with Soldier vs. Warrior.


Technician vs. Performer

A contrast between a highly-skilled, perfectionist virtuoso and a less-skilled, but more inventive and original artist. This is a plot common to stories that focus on the arts (usually music or theater), or sports that require mixing physical ability with creativity (such as dancing or skating).

Alice has been in ballet classes since she could walk. She practices every day, pushing herself to always do better than her best. She's the star of every production and the prize pupil of every teacher. But as devoted as she is to her art, she doesn't always seem to enjoy it. She has no social life because she'll be at the studio long after everyone else has gone home. She has many admirers but few real friends. She may even downplay her own talent, focusing on her mistakes rather than her successes. If she's really unlucky, she's burdened with a domineering Stage Mom.

Betty started ballet a year ago. She never arrives early nor stays late. She doesn't have much interest in technical perfection, and sometimes she'll even improvise her own moves and go off script. Nevertheless she loves to dance, and it shows. Even if she lands flat on her tail, she leaves the audience smiling. She has a life outside the studio, a solid family who cheers no matter what she does, and an infectious grin. If ballet ever stops being fun, she'll just stop doing it, but one gets the sense that she'll never get tired of dancing.

Put the two on stage together and the judges will prefer Alice, but the audience will prefer Betty.

The audience doesn't see Alice's perfect form. They see that she dances with a face like a wet weekend. Betty turns a pratfall into a quirky dance move, makes faces at the kid in the front row, and laughs her way through the final act. Alice may be rolling her eyes from backstage, but she will go home wondering why the crowd cheered for that nonsense when all she got was polite applause.

The difference between them is that Alice dances to meet a standard &mdash either one she puts on herself or one others have put on her &mdash while Betty dances for the sheer joy of the art. The watching audience may not realize what a "perfect performance" is, but they know when the dancers are enjoying themselves. and even those who do know what good form is would rather see originality, artistic interpretation, and plain simple fun &mdash which Alice often can't do, because improvisation, invention, and fun often risk that sense of 'perfection'.

Typically, these two will spur each other competitively in some way. They may find that they're Not So Different in certain aspects of their lives and passions. Sometimes, Defeat Means Friendship will take hold, and the girls will learn from each other: Alice will learn to loosen up and rediscover the joy of her art, and Betty will try and emulate Alice's dedication and practice. If they don't come to terms, it can lead to some nasty results or a breakdown.

A Sister Trope to Red Oni, Blue Oni, where the Technician is the blue oni (cool, methodical, logical) and the Performer is red (energetic, instinctive, emotional). Obviously, these two archetypes can manifest differently depending on the situation they're involved in, such as:

  • A martial artist who uses precise, traditional moves vs one who dances around and uses unorthodox techniques
  • A painter of simplistic, cheerful paintings in an art school full of students obsessed with complexity
  • A musician who finds sheet music boring and likes to jazz them up with their own variations, to the consternation of a band member who has been practicing with that sheet music for months

Generally, the narrative will be in favor of the enthusiastic performer (who sometimes has The Gift, but not always) rather than the diligent technician. At its best, the trope sings the praises of enjoying yourself and being unique at its worst, it implies that technical skill means Creative Sterility.

Differs slightly from (but is related to) Hard Work Hardly Works, where the technician is undeniably better at what they do, but they are contrasted with a Brilliant, but Lazy performer who is ultimately more fun to watch, or gets acceptable results with a fraction of the effort. In this case, Hard Work Hardly Works adds insult to injury by giving the cheerful slacker superior skill than those around them who actually practice. Also similar to Weak, but Skilled similar in that there is a better trained performer against a stronger or more talented rival, but different in that the one with the best training wins, usually through cleverness and skill.

At times, Alice and Betty may cross paths with Cassie: a character who is both technician va performer. In this case, Cassie's background may overlap with Talented, but Trained (innate talent + hard work).

Contrast the Villainy-Free Villain and Opposing Sports Team. Could also be seen as a form of Snobs Vs Slobs, with fastidious technicians who pay attention to detail as the foil for performers who believe in doing what comes naturally. In a military or combative setting, this dichotomy may form the basis for Opposing Combat Philosophies, along with Soldier vs. Warrior.


Technician vs. Performer

A contrast between a highly-skilled, perfectionist virtuoso and a less-skilled, but more inventive and original artist. This is a plot common to stories that focus on the arts (usually music or theater), or sports that require mixing physical ability with creativity (such as dancing or skating).

Alice has been in ballet classes since she could walk. She practices every day, pushing herself to always do better than her best. She's the star of every production and the prize pupil of every teacher. But as devoted as she is to her art, she doesn't always seem to enjoy it. She has no social life because she'll be at the studio long after everyone else has gone home. She has many admirers but few real friends. She may even downplay her own talent, focusing on her mistakes rather than her successes. If she's really unlucky, she's burdened with a domineering Stage Mom.

Betty started ballet a year ago. She never arrives early nor stays late. She doesn't have much interest in technical perfection, and sometimes she'll even improvise her own moves and go off script. Nevertheless she loves to dance, and it shows. Even if she lands flat on her tail, she leaves the audience smiling. She has a life outside the studio, a solid family who cheers no matter what she does, and an infectious grin. If ballet ever stops being fun, she'll just stop doing it, but one gets the sense that she'll never get tired of dancing.

Put the two on stage together and the judges will prefer Alice, but the audience will prefer Betty.

The audience doesn't see Alice's perfect form. They see that she dances with a face like a wet weekend. Betty turns a pratfall into a quirky dance move, makes faces at the kid in the front row, and laughs her way through the final act. Alice may be rolling her eyes from backstage, but she will go home wondering why the crowd cheered for that nonsense when all she got was polite applause.

The difference between them is that Alice dances to meet a standard &mdash either one she puts on herself or one others have put on her &mdash while Betty dances for the sheer joy of the art. The watching audience may not realize what a "perfect performance" is, but they know when the dancers are enjoying themselves. and even those who do know what good form is would rather see originality, artistic interpretation, and plain simple fun &mdash which Alice often can't do, because improvisation, invention, and fun often risk that sense of 'perfection'.

Typically, these two will spur each other competitively in some way. They may find that they're Not So Different in certain aspects of their lives and passions. Sometimes, Defeat Means Friendship will take hold, and the girls will learn from each other: Alice will learn to loosen up and rediscover the joy of her art, and Betty will try and emulate Alice's dedication and practice. If they don't come to terms, it can lead to some nasty results or a breakdown.

A Sister Trope to Red Oni, Blue Oni, where the Technician is the blue oni (cool, methodical, logical) and the Performer is red (energetic, instinctive, emotional). Obviously, these two archetypes can manifest differently depending on the situation they're involved in, such as:

  • A martial artist who uses precise, traditional moves vs one who dances around and uses unorthodox techniques
  • A painter of simplistic, cheerful paintings in an art school full of students obsessed with complexity
  • A musician who finds sheet music boring and likes to jazz them up with their own variations, to the consternation of a band member who has been practicing with that sheet music for months

Generally, the narrative will be in favor of the enthusiastic performer (who sometimes has The Gift, but not always) rather than the diligent technician. At its best, the trope sings the praises of enjoying yourself and being unique at its worst, it implies that technical skill means Creative Sterility.

Differs slightly from (but is related to) Hard Work Hardly Works, where the technician is undeniably better at what they do, but they are contrasted with a Brilliant, but Lazy performer who is ultimately more fun to watch, or gets acceptable results with a fraction of the effort. In this case, Hard Work Hardly Works adds insult to injury by giving the cheerful slacker superior skill than those around them who actually practice. Also similar to Weak, but Skilled similar in that there is a better trained performer against a stronger or more talented rival, but different in that the one with the best training wins, usually through cleverness and skill.

At times, Alice and Betty may cross paths with Cassie: a character who is both technician va performer. In this case, Cassie's background may overlap with Talented, but Trained (innate talent + hard work).

Contrast the Villainy-Free Villain and Opposing Sports Team. Could also be seen as a form of Snobs Vs Slobs, with fastidious technicians who pay attention to detail as the foil for performers who believe in doing what comes naturally. In a military or combative setting, this dichotomy may form the basis for Opposing Combat Philosophies, along with Soldier vs. Warrior.


Technician vs. Performer

A contrast between a highly-skilled, perfectionist virtuoso and a less-skilled, but more inventive and original artist. This is a plot common to stories that focus on the arts (usually music or theater), or sports that require mixing physical ability with creativity (such as dancing or skating).

Alice has been in ballet classes since she could walk. She practices every day, pushing herself to always do better than her best. She's the star of every production and the prize pupil of every teacher. But as devoted as she is to her art, she doesn't always seem to enjoy it. She has no social life because she'll be at the studio long after everyone else has gone home. She has many admirers but few real friends. She may even downplay her own talent, focusing on her mistakes rather than her successes. If she's really unlucky, she's burdened with a domineering Stage Mom.

Betty started ballet a year ago. She never arrives early nor stays late. She doesn't have much interest in technical perfection, and sometimes she'll even improvise her own moves and go off script. Nevertheless she loves to dance, and it shows. Even if she lands flat on her tail, she leaves the audience smiling. She has a life outside the studio, a solid family who cheers no matter what she does, and an infectious grin. If ballet ever stops being fun, she'll just stop doing it, but one gets the sense that she'll never get tired of dancing.

Put the two on stage together and the judges will prefer Alice, but the audience will prefer Betty.

The audience doesn't see Alice's perfect form. They see that she dances with a face like a wet weekend. Betty turns a pratfall into a quirky dance move, makes faces at the kid in the front row, and laughs her way through the final act. Alice may be rolling her eyes from backstage, but she will go home wondering why the crowd cheered for that nonsense when all she got was polite applause.

The difference between them is that Alice dances to meet a standard &mdash either one she puts on herself or one others have put on her &mdash while Betty dances for the sheer joy of the art. The watching audience may not realize what a "perfect performance" is, but they know when the dancers are enjoying themselves. and even those who do know what good form is would rather see originality, artistic interpretation, and plain simple fun &mdash which Alice often can't do, because improvisation, invention, and fun often risk that sense of 'perfection'.

Typically, these two will spur each other competitively in some way. They may find that they're Not So Different in certain aspects of their lives and passions. Sometimes, Defeat Means Friendship will take hold, and the girls will learn from each other: Alice will learn to loosen up and rediscover the joy of her art, and Betty will try and emulate Alice's dedication and practice. If they don't come to terms, it can lead to some nasty results or a breakdown.

A Sister Trope to Red Oni, Blue Oni, where the Technician is the blue oni (cool, methodical, logical) and the Performer is red (energetic, instinctive, emotional). Obviously, these two archetypes can manifest differently depending on the situation they're involved in, such as:

  • A martial artist who uses precise, traditional moves vs one who dances around and uses unorthodox techniques
  • A painter of simplistic, cheerful paintings in an art school full of students obsessed with complexity
  • A musician who finds sheet music boring and likes to jazz them up with their own variations, to the consternation of a band member who has been practicing with that sheet music for months

Generally, the narrative will be in favor of the enthusiastic performer (who sometimes has The Gift, but not always) rather than the diligent technician. At its best, the trope sings the praises of enjoying yourself and being unique at its worst, it implies that technical skill means Creative Sterility.

Differs slightly from (but is related to) Hard Work Hardly Works, where the technician is undeniably better at what they do, but they are contrasted with a Brilliant, but Lazy performer who is ultimately more fun to watch, or gets acceptable results with a fraction of the effort. In this case, Hard Work Hardly Works adds insult to injury by giving the cheerful slacker superior skill than those around them who actually practice. Also similar to Weak, but Skilled similar in that there is a better trained performer against a stronger or more talented rival, but different in that the one with the best training wins, usually through cleverness and skill.

At times, Alice and Betty may cross paths with Cassie: a character who is both technician va performer. In this case, Cassie's background may overlap with Talented, but Trained (innate talent + hard work).

Contrast the Villainy-Free Villain and Opposing Sports Team. Could also be seen as a form of Snobs Vs Slobs, with fastidious technicians who pay attention to detail as the foil for performers who believe in doing what comes naturally. In a military or combative setting, this dichotomy may form the basis for Opposing Combat Philosophies, along with Soldier vs. Warrior.